Baudrillard suggests that grocery stores represent hyperreality, wherein consumerism masks societal control, challenging the notion of living in a digital simulation.

Exploring the parallels between the life and career of pop icon Britney Spears and the existential philosophy of Albert Camus, as articulated in his seminal essay “The Myth of Sisyphus.” Delving into the existential depths of both, their profound words blur the lines of fame and philosophy.

The FRANCEKISS debut collection, born from discarded clothing found on the streets of New York and Paris, challenges traditional fashion norms by transforming urban detritus into high art.

“Despair Engine” by Joseph Buckley at Island Gallery invites viewers into a world of mechanized dejection through uncanny, human-like sculptures adorned in mundane attire. Buckley dissects historical patterns of violence with an immersive environment reflecting existential foreboding.

Game’s haunted corridors echo in deserted offices, remnants of economic tremors. Can we repurpose these “liminal spaces” - from barren rooms to vibrant homes - stitching shattered communities back together, brick by pixel?